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‘Exprimer le réel est chose ardue.’ Fanon

Notre Histoire: From Lilian Thuram’s Personal Story to a Shared Diasporic History

Notre Histoire[1] (volume 1, 2014) recounts the story of Mariana Thuram, mother of famed Guadeloupian footballer-turned-activist Lilian Thuram, and focuses on her fortitude and the fortitude of those before her and like her who actively work towards providing a better future for their children. As mentioned on the title page of this recent publication from…

Ep. 42 – Frantz Fanon, Black Skin, White Masks — Always Already Podcast

In our first text-discussion episode in a while (sorry podcast fam!), John is joined by two special guest hosts, his Beloit College colleagues M. Shadee Malaklou (Critical Identity Studies) and Michelle Bumatay (French). We discuss Black Skin, White Masks by Frantz Fanon, focusing on the Introduction, “The Man of Color and the White Woman” (chap.…

Madame Livingstone: Congo, la Grande Guerre

Soaring high over the African landscape in his Short Admiralty 184 seaplane, Gaston Mercier, an officer and a pilot in the Royal Belgian army, marvels at the beautiful flora and fauna below him and the blue African sky above him in the opening pages of Madame Livingstone: Congo, la Grande Guerre. And though he descends…

Turquoise : Rwanda, France, and the In-Between of Representation

Five years in the making, Turquoise,[1] a joint effort between Olivier Bramanti (artwork) and Frédéric Debomy (scenario) that revisits the 1994 genocide in Rwanda, is not a bande dessinée in the conventional sense of the term. The size of Turquoise (much narrower and slightly taller than a regular bande dessinée), the textured soft back cover,…

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